totem pole /// Von Stammbäumen, Status und Geschichten zum Finden /// installation_series : exi{s}t /// vinyl painting, photography, object, copper-wire, feathers and nails, 12 x 21 h x 16 w, 100 h x 100 w /// 2020
intervention
INSTALLATION /// SERIES:EXI(S)T ///
totem pole /// Von Stammbäumen, Status und Geschichten zum Finden /// installation_series : exit{s}t /// vinyl painting, photography, object, copper-wire, feathers and nails /// 2020
tam tam /// Von Kartoffelsorten, Trommeln und Träume zum Fangen /// installation_series : exit{s}t /// vinyl colour, graphite, tamburin-object /// 2020
u.v.m /// and so on
NKV ///
NASSAUISCEHER KUNSTVEREIN : : : WIESBADEN /// TAM TAM / TOTEM POLE_SERIE:EXI(S)T /// MINDESTABSTAND KUNSTMARKT
LOVING REBECCA /// TATE MODERN
TATE MODERN : : : LONDON /// loving rebecca /// photography
NKV /// ROOMS WITH A VIEW
NASSAUISCEHER KUNSTVEREIN : : : WIESBADEN /// rooms with a view /// MINDESTABSTAND KUNSTMARKT
TRACING PAPER /// SERIES : EXI(S)T
BBK Schaustelle : : : wiesbaden /// tracing paper_series:exi(s)t /// review
SERIES : EXI(S)T /// VIEW
BBK Schaustelle : : : wiesbaden /// tracing paper_series:exi(s)t /// review
IN CONSERVATION ///
“/// …I use drawing, writing, photography and video sketches too, but we are living in an age of rapid technology and in this context, I need to know that virtuality has changed the way reality works. And to do this I need to be part of it…///
/// …Virtuality is a means to express myself, to understand reality, which is what I’m interested in. To push the question of sense to it’s limits… It is nothing other than to understand the question of nature, technics, beauty and live…///
PROJECT_WAYS OF RECOLLECTION ///
ways of recollection_project ///
video loop with sound_installation_series : lost senses /// wall drawings, performances, recordings /// 2019
KEEP IT WARM ///
keep it warm ///
object_installation_series : lost senses /// indian ink, vinyl colour and graphite on the wall, fur, nails and branch /// 2018
MEET#SEER
Frankfurt : : : Kunstverein /// meet#seer_FKV /// simultative emotional expression robot_a compact humanoid robot developed as results of deep research on gaze and human facial expression_Takayuki Todo ///
STUDIODAY ///
rambach : : : wiesbaden /// studioday /// works in progress ///
WHAT IF* /// SERIES : IMAGINE /// PART#2
what if*_series : imagine_part#2 ///
photography_collage /// 2019
WAYS OF RECOLLECTION ///
ways of recollection_still ///
37minutes∞ video loop with sound_series : lost senses /// 2017/19
blame it on me_part#2 ///
object_installation_series : in the woods /// vinyl colour, acryl, hide, glass, plaster and glue /// 2019
BLAME IT ON ME #2 ///
blame it on me_object#2 ///
object_installation_series : in the woods /// vinyl colour, acryl, feathers, metal, plaster, wood and glue /// 2019
picturesque drawing /// vinyl colour, graphite, paper and coal /// 2015
WAYS OF RECOLLECTION /// VIEW
ways of recollection_video ///
blame it on me_object#1 ///
object_installation_series : in the woods /// vinyl colour, acryl, feathers, metal, plaster, wood and glue /// 2019
WHAT IF* /// SERIES : IMAGINE /// PART#1/2
what if*_series : imagine_part#1/2 ///
photography_collage /// 2019
WAYS OF RECOLLECTION ///
ways of recollection_performance_stills ///
37minutes∞ video loop with sound_projection_series : lost senses /// 2017/19
WAYS OF RECOLLECTION /// VIDEOLOOP /// LAYOUT
SLADE RESEARCH CENTRE : : : LONDON /// ways of recollection_series:lost senses /// layout
KURZE NACHT DER Galerien und Museen ///
wiesbaden : : : kunstraum /// exhibition_expanded fields of drawing /// KURZEN NACHT der GALLERIEN und MUSEEN in Wiesbaden ///
EXPANDED FIELDS OF DRAWING /// OPENING
wiesbaden : : : KURZE NACHT /// exhibition_expanded fields of drawing /// Opening zur KURZEN NACHT der Gallerien und Museen in Wiesbaden /// stop by when you’re in town
VIDEO PRESENTATION /// LOST SENSES_COLLABORATION /// CLOSING PARTY
wiesbaden : : : kunstraum_ig galleries /// exhibition_installation_series : lost senses /// closing party_video presentation_lost senses collaboration
KUNSTRAUM_IG GALLERIES /// WALLS AND WAYS OF RECOLLECTION
CAMDEN ART CENTRE ///
London : : : Camden Art Centre /// group exhibition_slowly drifting_series : lost senses /// showcases works in progress by the 20 artists who have taken part in the LSI residency programme, organized by Camden Arts Centre and the Slate School of Fine Art /// credit © Hydar Dewachi 2017
INSTALLATION /// SERIES : LOST SENSES
installation_series : lost senses_contains the following objects : the flow_keep it warm_how to fail with everything and still have a great time /// indian ink, vinyl colour and graphite on the wall, tree trunk, iron cart, copper wire, feathers, fur, nails and branch /// 2018
Based and inspired by “Wir dekorieren auf der Titanic die Liegestühle um.” Richard David Precht_Deutschlandfunk /// Jaron Lanier and Fanta Lu_Zeit Online
THE FLOW /// PARTS
the flow_parts ///
object_installation_series : lost senses /// indian ink, vinyl colour and graphite on the wall, nails and branch /// 2018
WALLS AND WAYS OF RECOLLECTION /// PROJECT
walls and ways of recollection_project ///
video_loop_series : lost senses /// 2018
WAYS OF RECOLLECTION /// VIDEO LOOP
ways of recollection_part#0:12s ///
37minutes∞ video loop_series : lost senses /// 2017/19
KUNSTRAUM /// EXHIBITION_LOST SENSES
wiesbaden : : : kunstraum_ig galleries /// exhibition_installation_series : lost senses /// BBK
HOW TO FAIL /// STUDIO
wiesbaden : : : studio /// exhibition_how to fail with everything and still have a great time_installation_series : lost senses /// work in progress
Based and inspired by “Wir dekorieren auf der Titanic die Liegestühle um.” Richard David Precht_Deutschlandfunk /// Jaron Lanier and Fanta Lu_Zeit Online
URBAN SPACE /// UNDER CONSTRUCTION
A FEW DAYS ///
wiesbaden : : : biennale_new city passage_performance by TETSUYA UMEDA and YOSUKE AMEMIYA_water running upwards /// 23. 8. – 2. 9. 2018… never forget this amazing performance… two great exceptional artists… Tetsuya and Yosuke. I’m blessed to met you… a few days… joining your work… some hours… growing moment… Thanks a lot /// 👉🏻docu
A FEW DAYS ///
wiesbaden : : : biennale_new city passage_performance by TETSUYA UMEDA and YOSUKE AMEMIYA_water running upwards /// 23. 8. – 2. 9. 2018… never forget this amazing performance… two great exceptional artists… Tetsuya and Yosuke. I’m blessed to met you… a few days… joining your work… some hours… growing moment… Thanks a lot /// credit: Petra von Breitenbach /// 👉🏻docu
WAYS OF RECOLLECTION /// PERFORMANCE PROJECT
ways of recollection_performance project ///
video_loop_series : lost senses /// 2018
WO:MAN_IN THE WOODS ///
WO:MAN_in the woods ///
photography_digital collage_series : perception is identity_identity is perception /// print under acrylic glass /// 2018
PERCEPTION #1 ///
frankfurt : : : FKV /// perception #1 /// photography_series : perception is identity_identity is perception /// progress
IN THE WOODS /// OBJECTS /// PROGRESS
wiesbaden : : : studio_object /// in the woods_series : perception is identity /// work in progress
WO:MAN_IN THE WOODS /// FIGURE
WO:MAN_in the woods ///
figure_series : perception is identity_identity is perception /// vinyl colour, branch, glass and hot sticks /// 38l x 32w x 172h /// 2018
CITY PASSAGE /// DON’T MISS
wiesbaden : : : biennale_bad news /// City Passage_Tetsuya Umeda_Yosuke Amemiya /// 23. 8. – 2. 9. 2018 /// video credit: Tetsuya Umeda_Yosuke Amemiya /// 👉🏻docu
PROJECT /// LSI
London : : : Camden Art Centre /// project_LSI2017 /// Photo credit: Hydar Dewachi /// 👉🏻
RECOLLECTION /// PROJECT
recollection ///
performance project /// 2017
LSI_2017_Project ///
london : : : Slade School of Fine Art & Camden Art Centre /// LSI_2017_Project /// Brilliant artists from 21 different countries_Just have a look /// 👉🏻
FORTY DAYS ///
forty days ///
painting_photography_installation /// photos, nails, vinyl colour on wooden boards /// steles /// 200 h x 250 w /// 2015
GETTING THEIR DUE /// COLUMN #4-7
getting their due_COLUMN#4-7 ///
photography_digital collage_series : perception is identity_identity is perception /// print under acrylic glass /// 4 x 63w x 120h /// 2018
QUATRE ROUES ///
moma new york : : : wiesbaden /// quatre roues /// Marcel Duchamp_Roue de Bicyclette 1993 / Regine Fürst_quatre roues 2017
new works /// Exhibition /// New in the Federal Association of Visual Artists (BBK)
wiesbaden /// new works_nuances of an in-depth look /// exhibition /// New in the Federal Association of Visual Artists (BBK) /// 25.01 – 11.02.2017
Exhibition /// members of art association Bellevue-Saal Wiesbaden
Behind the show ///
berlin /// slowly drifting /// mp4 video loop projection /// public intervention with sound /// how to pack a lot of cables and stuff into a car… after the show… slowly… happy /// 07.08.2016
FEEL DIFFERENT ///
new york : : : apple store /// feel different /// photography
Exhibition /// slowly drifting /// transit zone pavilion /// public intervention project with sound /// BERLIN
berlin /// slowly drifting /// mp4 video loop projection /// nine minutes of sound work just finished /// special thanks to DAISUKE ISHIDA, great sound artist, for the technical support, so I could conclude the work, finally /// transit zone pavilion /// the upcoming public intervention project with sound at the hallesches tor underground station berlin_will start on the 07.08.2016 at 12 o’clock
DOT. LINE. SURFACE #2 /// A CORN
wiesbaden /// dot. line. surface. #2 /// a corn_work in progress /// photography
Exhibition /// out of sight #1-5 /// moving images /// underground station friedrichstrasse /// berlin
berlin /// out of sight #1-5 /// cinemagraph video loop /// 5 parallel moving images based on extracts “À la recherche du temps perdu” by marcel proust by using the animated GIF format /// public exhibition at the underground station friedrichstraße berlin /// 22. – 29. 07. 2016
OTHER ROOMS #1-3 ///
other rooms #1-3 ///
object_installation_intervention /// photography /// 2016
OTHER ROOMS #4-5 ///
other rooms #4-5 ///
object_installation_intervention /// photography /// 2016
BLUE HOUR #1885_#1910_#1957///
blue hour #1885 / #1910 / #1957 ///
body_installation /// photography /// 2016
BLUE HOUR #1833_#1830 ///
blue hour #1833_#1830 ///
body_installation /// photography /// 2016
“The blue hour is a quite short moment wich is in the middle of two different and opposite universes. Very early in the morning or late in the evening. It is something inbetween two things. I tried to convey the magic of the transition between day and night, with its cross-currents of euphoria and yearning, when melancholy and remembrance merge. It’s not dark, it’s not bright, it’s a sort of undefined limbo. It seems that the colours combine to one. I feel connected with this moment and tried to visualise my feelings in an installation which exists only this short time.”
“Die blaue Stunde ist ein ziemlich kurzer Moment, der sich inmitten zweier verschiedener und entgegengesetzter Universen befindet. Sehr früh am Morgen oder spät am Abend. Es ist etwas zwischen zwei Dingen. Ich versuchte, die Magie des Übergangs zwischen Tag und Nacht mit seinen Querströmungen von Euphorie und Sehnsucht zu vermitteln, wenn Melancholie und Erinnerung verschmelzen. Es ist nicht dunkel, es ist nicht hell, es ist eine Art undefinierte Schwebe. Es scheint, dass sich die Farben zu einem verbinden. Ich fühle mich mit diesem Moment verbunden und habe versucht, meine Gefühle in einer Installation zu visualisieren, die nur in dieser kurzen Zeit existiert”
BLUE HOUR #1832_#1834 ///
blue hour #1832_#1834 ///
body_installation /// photography /// 2016
BLUE HOUR #1735_#1868 ///
blue hour #1735_#1868 ///
body_installation /// photography /// 2016
DRAWING #1 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
nuances of an in-depth look drawing #1 ///
drawing /// water colour and graphite on paper /// 70 h x 50 w /// 2015
W.E. INTERLUDE #3918 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
w. e. interlude #3918 ///
photography /// print under acrylic glass /// 105 h x 180 w /// 2016
IN-DEPHT LOOK #2 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
nuances of an in-depth look #2 /// photography ///
photography_digital collage /// print under acrylic glass /// 150 h x 180 w /// 2015
IN-DEPHT LOOK #1 /// W. E. INTERLUDE #3918 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
in-depth look #1 /// w.e. interlude #3918 ///
photography_digital collage /// photography /// print under acrylic glass /// 200 w x 147 h / 120 w x 68 h /// 2016
IN-DEPHT LOOK #1 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
nuances of an in-depth look #1 ///
photography_digital collage /// print under acrylic glass /// 150 h x 180 w /// 2015
W.E. INTERLUDE #3889 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
w. e. interlude #3889 ///
photography /// print under acrylic glass /// 105 h x 180 w /// 2016
CHANGING EMPIRE /// SERIES : NUANCES OF AN IN-DEPTH LOOK
changing empire ///
temporary installation_photography /// 2015
SHOW ME YOUR GOD ///
show me your god ///
painting_object_installation /// shoes, nails, vinyl colour on wooden boxes /// steles /// 250 h x 150 w /// 2015
FORTY DAYS ///
forty days ///
painting_photography_installation /// photos, nails, vinyl colour on wooden boards /// steles /// 200 h x 250 w /// 2015