totem pole /// Von Stammbäumen, Status und Geschichten zum Finden /// installation_series : exi{s}t /// vinyl painting, photography, object, copper-wire, feathers and nails, 12 x 21 h x 16 w, 100 h x 100 w /// 2020
Art
INSTALLATION /// SERIES:EXI(S)T
totem pole /// Von Stammbäumen, Status und Geschichten zum Finden /// installation_series : exit{s}t /// vinyl painting, photography, object, copper-wire, feathers and nails /// 2020
tam tam /// Von Kartoffelsorten, Trommeln und Träume zum Fangen /// installation_series : exit{s}t /// vinyl colour, graphite, tamburin-object /// 2020
u.v.m /// and so on
TOTEM POLE /// SERIES:EXI(S)T
totem pole /// installation_series : exi{s}t /// vinyl painting, photography, object, copper-wire, feathers and nails, 12 x 21 h x 16 w, 100 h x 100 w /// 2020
TOTEM POLE /// SERIES:EXI(S)T_LYRICS
totem pole /// Malerische Fotografie und sinnliches Objekt
______________________________________________
Von Stammbäumen, Status und Geschichten zum Finden_2020
Ach…*
„…Viele, die vor mir lebten
und fort von mir strebten,
webten,
webten,
an meinem Sein….“ **
… ja.*
„…Nun, Wagner hatte seine Cosima
Und Heine seine Mathilde.
Die Herren vom Fach haben allemal
Einen vorwiegend weiblichen Schatz.
Was uns Frauen fehlt, ist „Des Künstlers Frau“
Oder gleichwertiger Ersatz….“ ***
*Regine Fürst
**Rainer-Maria Rilke_1875-1926
***Mascha Kaléko_1907-1975
TAM TAM /// SERIES:EXI(S)T
tam tam ///
installation_series : exit{s}t /// vinyl colour, graphite, tamburin-object, 6-365 x ø 22cm /// 2020
TAM TAM /// SERIES:EXI(S)T_LYRICS
tam tam /// Malerische Zeichnung und sinnliche Objekte
__________________________________________
Von Kartoffelsorten, Trommeln und
Träume zum Fangen_2020
Die Tage mir so laut,
in schwarz und weiß gekleidet.
Wie Trommeln dröhnen Worte,
die aufeinander keulen.
Was anmerkt sich zu halten,
zum Sehnen hinüber lenkt.
Sich auf den Verbund besinnen mag,
in Fluten erstickt.
In Bildern gebogen.
Roh wie dumpf getrichtert,
das Sehen und Hören – ernüchtert.*
„…Und setz ich mich zu dir her
und sage dir leise. Ich litt –
hörst du?
Wer weiß wer
murmelt es mit.“ **
Denn…*
„Ich möchte in dieser Zeit
nicht Gott sein.“ ***
*Regine Fürst
**Rainer-Maria Rilke_1875-1926
***Mascha Kaléko_1907-1975
NKV ///
NASSAUISCEHER KUNSTVEREIN : : : WIESBADEN /// TAM TAM / TOTEM POLE_SERIE:EXI(S)T /// MINDESTABSTAND KUNSTMARKT
LOVING REBECCA /// TATE MODERN
TATE MODERN : : : LONDON /// loving rebecca /// photography
NKV /// MINDESTABSTAND
NASSAUISCEHER KUNSTVEREIN : : : WIESBADEN /// TAM TAM / TOTEM POLE_SERIE:EXI(S)T /// MINDESTABSTAND KUNSTMARKT
NKV /// ROOMS WITH A VIEW
NASSAUISCEHER KUNSTVEREIN : : : WIESBADEN /// rooms with a view /// MINDESTABSTAND KUNSTMARKT
TRACING PAPER /// SERIES : EXI(S)T
BBK Schaustelle : : : wiesbaden /// tracing paper_series:exi(s)t /// review
SERIES : EXI(S)T /// VIEW
BBK Schaustelle : : : wiesbaden /// tracing paper_series:exi(s)t /// review
PROJECT_WAYS OF RECOLLECTION ///
ways of recollection_project ///
video loop with sound_installation_series : lost senses /// wall drawings, performances, recordings /// 2019
TRACING PAPER /// SERIES : EXI(S)T
tracing paper ///
object_installation_series : exists(s)t /// indian ink, vinyl color and graphite on paper and tracing paper, egg, bubbles /// 2020
_________________________________________
„ „Perception is Identity – Identity is Perception“ ist das erste Statement auf Regine Fürsts Homepage. Vielen Dank, Regine Fürst, vielen Dank “Neue Adresse – jede Woche ein Kunstwerk” – BBK Wiesbaden und Sensor Wiesbaden für diese aktuelle künstlerische Position!
„Wahrnehmung“ und „Identität“ sind zentrale Kategorien zeitgenössischen Kunstschaffens – zeitgenössischen Seins.
In unserer Familie hat sich der Satz „Reality is perception“ durchgesetzt, wann immer wir unterschiedlicher Meinung sind. „Reality ist perception“, ein popularisiertes Derivat aus moderner Physik, Ethnologie und gender studies. Und wo ist die Identität? Für sich reklamiert zum Beispiel von den „Identitären“. Eine solche Identität will ich nicht.
Durch die Verbindung mit der „Wahrnehmung“ bindet sie Frau Fürst an ein handelndes Subjekt, an das individuelle Sein, an den Zustand, an die Zeitlichkeit. Da kann ich mitgehen.
So nähern wir uns auch dem extravaganten Objekt „Tracing Paper“ aus der Serie „Exi(s)t“. „Paper“ kann sowohl Akkusativobjekt als auch Subjekt von „tracing“ sein – es kann also entweder „das Papier verfolgen“ heißen oder „verfolgendes/nachzeichnendes/abpausendes Papier“. Ähnlich vielgestaltig und bedeutungsoffen sind die Materialien und Formen des doppelten Werkes, das aus Objekt und Zeichnung besteht. Zum Ei, zu den Farben Weiß und Rosa, zu manchen Formen habe ich Assoziationen – zu anderen muss ich mich neu verhalten. Vielleicht verfolge ich das Papier? Und nicht nur das Papier, sondern das ganze Werk? Oder ist es andersherum das Werk, das mich abpaust? Wer bin ich in Bezug auf dieses rosa beknospete Ei samt Schleierschwanz und buntem Schatten? Identity is perception – perception is identity.
In diesem Sinne: Bis Mittwoch! “ Dr. Susanne Claußen_ Bildungsreferentin_Evangelisches Dekanat Wiesbaden_ 29.06.2020
Bild für den 29.06.2020: Regine Fürst: Tracing Paper, aus der Serie Exi(s)t. Malerische Zeichnung und sinnliches Objekt, 2020. ©Regine Fürst.
TRACING PAPER
BBK Schaustelle : : : wiesbaden /// tracing paper_series:exi(s)t ///
THE FLOW ///
the flow ///
object_installation_series : lost senses /// vinyl colour, branch, copper-wire and feathers /// 2018
MEET#SEER
Frankfurt : : : Kunstverein /// meet#seer_FKV /// simultative emotional expression robot_a compact humanoid robot developed as results of deep research on gaze and human facial expression_Takayuki Todo ///
STUDIODAY ///
rambach : : : wiesbaden /// studioday /// works in progress ///
BLAME IT ON ME #2 ///
blame it on me_object#2 ///
object_installation_series : in the woods /// vinyl colour, acryl, feathers, metal, plaster, wood and glue /// 2019
picturesque drawing /// vinyl colour, graphite, paper and coal /// 2015
WAYS OF RECOLLECTION /// VIDEOLOOP /// LAYOUT
SLADE RESEARCH CENTRE : : : LONDON /// ways of recollection_series:lost senses /// layout
WAYS OF RECOLLECTION /// VIEW
ways of recollection_video ///
blame it on me_object#1 ///
object_installation_series : in the woods /// vinyl colour, acryl, feathers, metal, plaster, wood and glue /// 2019
WHAT IF* /// SERIES : IMAGINE /// PART#1/2
what if*_series : imagine_part#1/2 ///
photography_collage /// 2019
DOT. LINE. SURFACE #4 /// A CORN
rügen : : : wiesbaden /// dot. line. surface. #4 /// a corn_work in progress /// photography
KURZE NACHT DER Galerien und Museen ///
wiesbaden : : : kunstraum /// exhibition_expanded fields of drawing /// KURZEN NACHT der GALLERIEN und MUSEEN in Wiesbaden ///
WHAT IF* /// SERIES : IMAGINE /// PART#2
what if*_series : imagine_part#2 ///
photography_collage /// 2019
WAYS OF RECOLLECTION ///
ways of recollection_performance_stills ///
37minutes∞ video loop with sound_projection_series : lost senses /// 2017/19
OBJECTS /// SERIES : IN THE WOODS /// STUDIO
wiesbaden : : : studio /// objects_series : in the woods /// work in progress
WAYS OF RECOLLECTION ///
ways of recollection_still ///
37minutes∞ video loop with sound_series : lost senses /// 2017/19
blame it on me_part#2 ///
object_installation_series : in the woods /// vinyl colour, acryl, hide, glass, plaster and glue /// 2019
IN CONSERVATION ///
“/// …I use drawing, writing, photography and video sketches too, but we are living in an age of rapid technology and in this context, I need to know that virtuality has changed the way reality works. And to do this I need to be part of it…///
/// …Virtuality is a means to express myself, to understand reality, which is what I’m interested in. To push the question of sense to it’s limits… It is nothing other than to understand the question of nature, technics, beauty and live…///
KUNSTRAUM_IG GALLERIES /// WALLS AND WAYS OF RECOLLECTION
CAMDEN ART CENTRE ///
London : : : Camden Art Centre /// group exhibition_slowly drifting_series : lost senses /// showcases works in progress by the 20 artists who have taken part in the LSI residency programme, organized by Camden Arts Centre and the Slate School of Fine Art /// credit © Hydar Dewachi 2017
WALLS AND WAYS OF RECOLLECTION /// PROJECT
walls and ways of recollection_project ///
video_loop_series : lost senses /// 2018
WAYS OF RECOLLECTION /// VIDEO LOOP
ways of recollection_part#0:12s ///
37minutes∞ video loop_series : lost senses /// 2017/19
KEEP IT WARM /// THE FLOW /// SERIES : LOST SENSES
keep it warm /// the flow ///
object_installation_series : lost senses /// indian ink, vinyl colour and graphite on the wall, tree trunk, iron cart, copper-wire, feathers, fur, nails and branch /// 2018
KUNSTRAUM /// EXHIBITION_LOST SENSES
wiesbaden : : : kunstraum_ig galleries /// exhibition_installation_series : lost senses /// BBK
HOW TO FAIL /// STUDIO
wiesbaden : : : studio /// exhibition_how to fail with everything and still have a great time_installation_series : lost senses /// work in progress
Based and inspired by “Wir dekorieren auf der Titanic die Liegestühle um.” Richard David Precht_Deutschlandfunk /// Jaron Lanier and Fanta Lu_Zeit Online
URBAN SPACE /// UNDER CONSTRUCTION
SECONDS OF A JOURNEY ///
London : : : Studio_SLADE School of Fine Art /// drawings_seconds of a journey ### /// video in progress
IN THE WOODS_#1st/2nd ///
in the woods_#1st/2nd ///
photography_digital collage_series : perception is identity_identity is perception /// print under acrylic glass_variable /// 2018
A FEW DAYS ///
wiesbaden : : : biennale_new city passage_performance by TETSUYA UMEDA and YOSUKE AMEMIYA_water running upwards /// 23. 8. – 2. 9. 2018… never forget this amazing performance… two great exceptional artists… Tetsuya and Yosuke. I’m blessed to met you… a few days… joining your work… some hours… growing moment… Thanks a lot /// credit: Petra von Breitenbach /// 👉🏻docu
WAYS OF RECOLLECTION /// PERFORMANCE PROJECT
ways of recollection_performance project ///
video_loop_series : lost senses /// 2018
IN THE WOODS /// OBJECTS /// PROGRESS
wiesbaden : : : studio_object /// in the woods_series : perception is identity /// work in progress
WORKSHOP /// TETSUYA UMEDA_YOSUKE AMEMIYA
wiesbaden : : : biennale_bad news_ preview:workshop /// Tetsuya Umeda_Yosuke Amemiya /// 👉🏻article
TheMonuments /// IN BETWEEN
BERLIN /// RESEARCH /// PERCEPTION IS IDENTITY ///
berlin_schloss charlottenburg /// form follows flowers_research series : perception is identity /// photography
SLOWLY DRIFTING /// CAMDEN ART CENTRE
London : : : Camden Art Centre /// slowly drifting /// video loop /// This exhibition showcases works in progress by the 20 international selected artists who have taken part in the London Summer Intensive residency programme, organized by Camden Art Centre and the SLADE School of Fine Art, UCL. Photo credit: Hydar Dewachi /// 👉🏻
PROJECT /// LSI
London : : : Camden Art Centre /// project_LSI2017 /// Photo credit: Hydar Dewachi /// 👉🏻
LOST SENSES /// VIDEO_LOOP
RECOLLECTION /// PROJECT
recollection ///
performance project /// 2017
SLOWLY DRIFTING /// CAMDEN ART CENTRE
London : : : Camden Art Centre /// slowly drifting /// video loop /// This exhibition showcases works in progress by the 20 international selected artists who have taken part in the London Summer Intensive residency programme, organized by Camden Art Centre and the SLADE School of Fine Art, UCL. Photo credit: Hydar Dewachi /// 👉🏻
THEMONUMENTS /// IN PROGRESS
London : : : SLADE Research Centre, Woburn Square. /// TheMonuments_series : lost senses /// work in progress /// 👉🏻
THEMONUMENTS /// TOTEM POLE /// STUDY
London : : : Hyde Park /// TheMonuments_series : lost senses /// photography_study /// work in progress
OPEN STUDIOS /// SLADE RESEARCH CENTRE
London : : : SLADE Research Centre, Woburn Square /// Open Studios /// 👉🏻
The London Summer Intensive residency ///
LOST SENSES /// PROJECTION
London : : : SLADE Research Centre, Woburn Square /// lost senses /// work in progress_projection /// 👉🏻
THEMONUMENTS /// LOST SENSES
SURFACE ///
London : : : Hyde Park /// surface_series : lost senses /// photography_study /// work in progress
LSI_2017_Project ///
london : : : Slade School of Fine Art & Camden Art Centre /// LSI_2017_Project /// Brilliant artists from 21 different countries_Just have a look /// 👉🏻
EYES SHUT /// THE TABLE SOCIETY /// TATE LATES
EXIT THROUGH THE GIFT SHOP #3452_8 ///
BEAUTIFUL MIND /// THE NEXT FEMALE FOOLOSOPHY ///
wiesbaden /// beautiful mind_the next female foolosophy /// work in progress connected with Isa Gensken_The only female Fool
GROWING /// A CORN
new york : : : wiesbaden /// growing /// a corn_work in progress /// photography
THE VISIT AND THE PHYSICISTS ///
wiesbaden /// the visit and the physicists /// work in progress /// vernissage town hall wiesbaden 31.01. 2017
GOOD DAY #7252 ///
new york /// good day #7252 /// photography
STUDIO ///
wiesbaden /// studio_works in progress
shifting focus #1545/8 ///
wiesbaden : : : berlin /// shifting focus #1545/8 /// project in progress /// photography /// transit zone
QUATRE ROUES ///
moma new york : : : wiesbaden /// quatre roues /// Marcel Duchamp_Roue de Bicyclette 1993 / Regine Fürst_quatre roues 2017
“Eigentlich” ist ein Gefängnis ///
wiesbaden /// “eigentlich” ist ein gefängnis /// work in progress /// photography
IN BETWEEN ///
new york : : : wiesbaden /// in between /// photography : birte hoelscher and a foreign photographer
WARM WISPER /// A CORN
wiesbaden /// warm whisper /// a corn_work in progress /// photography
TWO QUARTERS ///
new york _central station : : : wiesbaden /// two quarters /// project in progress /// transit zone
next instant ///
mahogany session ///
wiesbaden /// mahogany session /// work in progress /// 2016
shifting focus ///
wiesbaden : : : berlin /// shifting focus /// project in progress /// photography /// transit zone
Exhibition /// members of art association Bellevue-Saal Wiesbaden
SEE DIFFERENT /// A CORN
new york : : : wiesbaden /// see different /// a corn_work in progress /// photography
FEEL DIFFERENT ///
new york : : : apple store /// feel different /// photography
the wave #6583 ///
london : : : wiesbaden /// the wave #6583 /// photography_digital painting
Exhibition /// slowly drifting /// transit zone pavilion /// public intervention project with sound /// BERLIN
berlin /// slowly drifting /// mp4 video loop projection /// nine minutes of sound work just finished /// special thanks to DAISUKE ISHIDA, great sound artist, for the technical support, so I could conclude the work, finally /// transit zone pavilion /// the upcoming public intervention project with sound at the hallesches tor underground station berlin_will start on the 07.08.2016 at 12 o’clock
DOT. LINE. SURFACE #2 /// A CORN
wiesbaden /// dot. line. surface. #2 /// a corn_work in progress /// photography
out of sight #1-5 /// moving images /// underground station friedrichstrasse /// berlin
berlin /// out of sight #1-5 /// cinemagraph video loop /// 5 parallel moving images based on extracts “À la recherche du temps perdu” by marcel proust by using the animated GIF format /// public exhibition at the underground station friedrichstraße berlin, photography, documentation /// 22. – 29. 07. 2016
Exhibition /// out of sight #1-5 /// moving images /// underground station friedrichstrasse /// berlin
berlin /// out of sight #1-5 /// cinemagraph video loop /// 5 parallel moving images based on extracts “À la recherche du temps perdu” by marcel proust by using the animated GIF format /// public exhibition at the underground station friedrichstraße berlin /// 22. – 29. 07. 2016
PERMANENT PRESENCE ///
new york : : : ground zero /// permanent presence /// photography IMG_5306
heart and eggs ///
frankfurt MMK2 /// photography /// B.JÜRGENSSEN1979/R.FÜRST2016 /// heart and eggs /// 24.04.2016
OTHER ROOMS #4-5 ///
other rooms #4-5 ///
object_installation_intervention /// photography /// 2016
DRAWING /// A CORN
TRANSLATING /// A CORN
kassel documenta : : : wiesbaden /// translating_a corn /// photography
hold the line ///
guggenheim new york : : : wiesbaden /// photography /// hold the line /// 2016
no standing anytime ///
La Liberté ///
interlude #3918 ///
five steps to dog…ma ///
IN-DEPHT LOOK #2 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
nuances of an in-depth look #2 /// photography ///
photography_digital collage /// print under acrylic glass /// 150 h x 180 w /// 2015
IN-DEPTH LOOK #3 /// SERIES : NUANCES OF AN IN-DEPTH LOOK
nuances of an in-depth look #3 /// photography ///
photography_digital collage /// print under acrylic glass /// 150 h x 180 w /// 2015
FALLEN EMPIRE /// SERIES : NUANCES OF AN IN-DEPTH LOOK
fallen empire ///
sculpture /// tape, tree stump with root /// mixed media /// 80 h x 120 w /// 2015
fallen empire /// pac man ///
london : : : Slade School of Fine Art /// fallen empire/pac man /// painting_sculpture_installation /// work in progress /// 2015
nuances of an in-depth look /// drawings ///
london : : : Slade School of Fine Art /// nuances of an in-depth look /// drawings /// 2015
light inside ///
london : : : wiesbaden /// light inside /// photography /// 2015
fallen empire in progress ///
london : : : Slade School of Fine Art /// fallen empire /// painting_sculpture_installation /// work in progress /// 2015
fallen empire ///
london /// fallen empire /// work in progress /// 2015
Expanded Field of Drawing /// exhibition
london : : : Slade School of Fine Art /// The Expanded Field of Drawing – A Selection of Recent Works /// Exhibition 14. August 2015
nuances ///
London : : : Slade /// nuances of an in-depth look /// study /// 2015
daphne – changing empire ///
london /// daphne – changing empire /// painting_sculpture_installation /// work in progress /// 2015
nuances of an in-depth look ///
london /// nuances of an in-depth look /// work in progress /// Slade School of Fine Art /// The Expanded Field of Drawing /// 27. July – 14. August 2015
the moon has risen ///
schirn kunsthalle frankfurt /// the moon has risen /// künstler-propheten exhibition /// photography /// 2015
illuminated ///
worpswede /// illuminated /// photography /// 2015
cross the red light ///
new york city : : : wiesbaden /// cross the red light /// photography /// 2015
land in sight ///
weserburg bremen /// land in sight /// exhibition /// photography /// 2015
cathedral ///
new yor city : : : wiesbaden /// cathedral /// photography /// 2015
newsstand ///
new york /// newsstand /// /// photography /// 2014
free to decide ///
new york city : : : wiesbaden /// free to decide /// women in new york #7+8 /// /// photography /// 2015
show me your god ///
wiesbaden /// show me your god /// 08.06.2015
free to decide ///
new york city : : : wiesbaden /// free to decide /// women in new york #5+6 /// photography /// 2015
forty days ///
wiesbaden /// forty days /// painting_installation_photography /// started to work on it /// 15.05.2015
dot. line. surface. #1 ///
worpswede /// dot. line. surface. #1 /// study /// photography /// 2015
mother’s day ///
frankfurt : : : wiesbaden /// mother’s day /// 10. 05. 2015
looking glass ///
new york city /// looking glass /// photography /// 2015
one. two. three. toys ///
wiesbaden : : : nyc /// one. two. three. toys /// work in progress /// 2015
border crossing point ///
wiesbaden : : : düsseldorf /// border crossing point /// painting /// 2012
re ///
düsseldorf : : : wiesbaden /// re /// portrait_drawing on canvas /// 2012
TO WALK IN OTHER SHOES ///
wiesbaden : : : city hall /// to walk in other shoes /// group exhibition_international women’s day_photo credit: Heiko Kubenka